Director:Ram Leetal; Cameraman: Johnnie Behiri; Location: Southhampton-UK Lens: Canon EF Lens; Record Format: CinemaDNG; Graded:Johnnie Behiri
Director:Jiang Xuan; Cameraman: Luo Xiaofeng; Team: 24 EIGA AGENCY; Location: Shanghai Lens: GL Optics(ZE Converted);
The software often used is Quicktime based on MAVO/TERRA. For old version Kine cameras, there are three types: Cineform software, Quicktime7 and HFS drive.
The video tutorial teach you how to use LUT which was loaded when shooting to recover the color and saturation on log video, and how to work with PR and Edius. That will speed up post workflow much.
The tutorial talks about how to use free Cineform Studio to do white balance, adjust exposure, and load LUT quickly, etc. It means a lot for quick output and grading
Cameraman: Dan Hudgins; Location: San Francisco(US) Lens: LOMO lens; Record Format: CinemaDNG/Cineform; Graded by: Liu Qingqing, Zhao Wei, Huiyun, Shan Shiyang (Davinci Resolve)
This tutorial explains how to playback Cineform RAW clips, need what kind of codecs, and what is LUT recorded by KineRAW.
Denver Riddle from Color Grading Central (CGC) recorded the video tutorial to show how to grade CinemaDNG in Davinci Resolve.
Burning Bridge MV, Starred CRAIG HANSEN Director: Clinton Harn; Cameraman: Matthew Allard, assisted by Phil Arntz; Lens: Carl Zeiss ZF, GL optics(Tokina 11-16mm Converted)& Nikon Lenses;
Denver Riddle from Color Grading Central (CGC) recorded the video tutorial to clarify how to process CinemaDNG post workflow with Davinci Resolve.
Denver Riddle from Color Grading Central (CGC) recorded the video tutorial to show how to grade Cineform RAW in Davinci Resolve.
KineRAW-MINI is lightweight and solid digital cinema camera, while remains being powerful and versatile tool for 35mm like Cinematography. With more professional accessories, KineRAW-MINI can be configured as full function cinema tool easily. Note: KineRAW-MINI is previous model of KineMINI 4K. Please find more information about new KineMINI 4K.
Director: Matt Allard; Shot by: Matt Allard, Clinton Harn, Phil Arntz; Location: Australia Camera: KineRAW-S35; FS700 for high-speed shots; Lens: Carl Zeiss ZF, GL optics(Tokina 11-16mm Converted);
Cameraman: Matthew Allard, Dan Chung; Location: Hong Kong Lens: Nikon and Canon camera Lenses; Record Format: Cineform RAW mov
Director:Dan Chung; Cameraman: Jonas; Art Dirctor:Elisa Cucinelli Lens: Leica and GL Optics(Tonika 11-16mm Converted); Record Format: Cineform RAW mov