Kinefinity App which is re-designed from bottom to top works with Kinefinity cameras as MAVO Edge 8K/MAVO LF/MAVO/TERRA 4K (firmware KineOS6.5). The App can tune the shooting parameters or get the status of these cinema cameras responsively. The brilliant thing is that the App displays the video stream from cameras in real time, with super […]
MAVO LF/MAVO/TERRA 4K can record compressed RAW as cDNG with adjustable compression ratio without external recorder. Current firmware KineOS6.1 supports three different compression ratios, 3:1 and 5:1 and both of them get super good image quality and enough room for grading work. Generally, there are three types of CinemaDNG format so far: Uncompressed CinemaDNG: KineRAW-S35, […]
Since 2012, Kinefinity has built-in LUTs in each cameras to help cameraman monitor images in the field; if the LUT is selected when shooting, the clips folder will contain the LUT. In post work, the LUT can be loaded for fast workflow or as the starting point for the grading work. 1. KineNEUTMÂ (KineOS6.0) 2. KineNEUTÂ (KineOS6.0) […]
The tutorials were made by Assimilate Inc. We group into three volumes, total 20 videos. More tutorial videos can be found in https://vimeo.com/assimilateinc, the official Vimeo account.
The tutorials were made by Assimilate Inc. We group into three volumes, total 20 videos. More tutorial videos can be found in https://vimeo.com/assimilateinc, the official Vimeo account.
Davinci Resolve is an excellent DI software, but it can not support Cineform natively and fully. Though Cineform footages can be playback, edited and graded in Resolve, but it can not access the meta data of Cineform, like DeBayer options, primary color correction in Cineform studio, so that Cineform grading in Resolve is not good […]
KineColor2 LUT v0.9 FITs footages from KineMINI 4K with KineOS 3.1 or above. It restores Cineform LOG footages to Neural look
KineColor2 LUT restores Cineform LOG footages to Neural look, so that it can be used as starting point of grading, or quick workflow. This LUT is to be loaded in DI software, like Davinci Resolve, not used for in-camera usage.
Since the camera is a True RAW recording camera it has only its native ‘look’ which is dark because it comes from sensor directly. To become EI ISO adjusted and to make the colors bright and sharp the camera has many LUT loaded you can pick from, these include: KineLOGâ„¢ which simulates the Cineonâ„¢ Log […]
KineRAW camera employs whole new lock-type EF mount, new lock-type EF mounting adapter, new lock-type Nikon F mounting adapter from 2014 Jan. Its fixing way is very similar to Cine PL mount: lock ring rotation, not lens rotation to make sure EF lens locked firmly and to be contacted well with pogo-pin contact inside of […]
The RAW concept in digital cinema/Video category is nearly same with the RAW image file in digital camera/photogragh category: No White-balanced process, nor Color grading. RAW images files description in Wikipedia is following: Raw image files are sometimes called digital negatives, as they fulfill the same role as negatives in film photography: that is, the […]
Current version V0.4 of KineStationâ„¢ is beta version which can run on Windows and MAC OS platform. It can transcode CinemaDNG/KNG sequence, timecode, audio and LUT into Cineform RAW mov/Cineform RGB 444 mov so that you can use Cineform workflow.
DE for AE plugin is a plugin of Adobe AE running in Windows. This tutorial show how DE plugin works with PR to do denoise work efficiently.
For the lens listed in the page, their Iris can be displayed and tuned by Kine cameras.
The famous films like Oscar winner Slumdog Millionaire were acquired by CineForm RAW compression for most images, and also the 127 hours. The KineRAW-S35 can record the Cineform â„¢ as compressed raw using very high quality wavelet compression: visually lossless, and making work-flow more efficient. And KineStation can transcode CinemaDNG footages from KineRAW-MINI into Cineform […]
