KineStationâ„¢ is the core of Kine camera system. KineStationâ„¢ and KineRAW consist of hybrid digital cinema system to cover serious filmmaking and quick post workflow. Kine Cameras captures light and images which are RAW and remain native information as possible at frontend, while KineStationâ„¢ transcode the RAW images into the specific format based on post workflow […]
The video tutorial teach you how to use LUT which was loaded when shooting to recover the color and saturation on log video, and how to work with PR and Edius. That will speed up post workflow much.
The tutorial talks about how to use free Cineform Studio to do white balance, adjust exposure, and load LUT quickly, etc. It means a lot for quick output and grading
Cameraman: Dan Hudgins; Location: San Francisco(US) Lens: LOMO lens; Record Format: CinemaDNG/Cineform; Graded by: Liu Qingqing, Zhao Wei, Huiyun, Shan Shiyang (Davinci Resolve)
This tutorial explains how to playback Cineform RAW clips, need what kind of codecs, and what is LUT recorded by KineRAW.
Burning Bridge MV, Starred CRAIG HANSEN Director: Clinton Harn; Cameraman: Matthew Allard, assisted by Phil Arntz; Lens: Carl Zeiss ZF, GL optics(Tokina 11-16mm Converted)& Nikon Lenses;
Denver Riddle from Color Grading Central (CGC) recorded the video tutorial to show how to grade Cineform RAW in Davinci Resolve.
Director: Matt Allard; Shot by: Matt Allard, Clinton Harn, Phil Arntz; Location: Australia Camera: KineRAW-S35; FS700 for high-speed shots; Lens: Carl Zeiss ZF, GL optics(Tokina 11-16mm Converted);
Director：Dan Chung; Cameraman: Jonas; Art Dirctor：Elisa Cucinelli Lens: Leica and GL Optics(Tonika 11-16mm Converted); Record Format: Cineform RAW mov
