The operation manual of KineMINI 4K is for KineMINI 4K with KineOS 4.0. It introduces functions and settings of KineMINI: the basic interfaces, UI and operation, settings and new features of KineOS4.0 like KRW workflow, custom 3D-LUT etc.
DoP: Aeyron Moore; Director: Aeyron Moore; Location: Pittsburgh(US) Camera: KineMINI 4K; Lens: Rokinon Cine 35mm/85mm EF Prime lens; Tokina 11-16mm EF Ultra Wide Lens Recording Codec: 4k DCI 4096×1716 (CinemaDNG) Edited and Graded by: Aeyron Moore (Davinci Resolve 11)
KineColor2 LUT v0.9 FITs footages from KineMINI 4K with KineOS 3.1 or above. It restores Cineform LOG footages to Neural look
Since the camera is a True RAW recording camera it has only its native ‘look’ which is dark because it comes from sensor directly. To become EI ISO adjusted and to make the colors bright and sharp the camera has many LUT loaded you can pick from, these include: KineLOGâ„¢ which simulates the Cineonâ„¢ Log […]
