The KineOS 6.2 for TERRA 4K is with big performance improvement from 4K 100fps to 4K 160fps and from 2K 220fps to 2K 320fps. For MAVO LF and MAVO, KineOS 6.2 enables the side screen function to display key parameters and adds the 3K/4K outputs oversampled from 6K open gate, to make the 3:2 open gate shooting mode more […]
The latest KineOS6.1 as an elegant and powerful firmware matches MAVO LF and provides more enhancement like optimization on UI, black balancing, project blanking, more anamorphic ratios, e-ND step setting, etc. MAVO LF, MAVO, TERRA 4K even TERRA 6K can work with KineOS6.1, but not all new functions applicable on TERRA 4K and TERRA 6K. […]
The operation manual of KineMINI 4K is for KineMINI 4K with KineOS 4.0. It introduces functions and settings of KineMINI: the basic interfaces, UI and operation, settings and new features of KineOS4.0 like KRW workflow, custom 3D-LUT etc.
Cameraman: Dominic Taylor; Director: Dominic Taylor; Location: New Zealand; Camera: KineMINI 4K with KineMOUNT + EF mounting adapter; Lens: Canon EFS 17-55mm; Recording format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); Setting: ISO,320; Aperture: f4.0; Post workflow: KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Adobe Premiere Pro + After Effects by Dominic Taylor […]
DoP: Qingqing Liu; Location: Berlin (Germany); Camera: KineMAX 6K, KineMOUNT+EF Mounting Adapter, or EF Mounting Adapter with KineEnhancer; Lens: Canon 18-135mm; Canon 70-200mm, f2.8; Rokinon Cine EF 24mm/85mm; Tokina 11-16mm EF;
DoP: Jonathan Nicol；Director: Jonathan Nicol; Location: England; Camera: KineMINI 4K, native EF Mount; Lens: Canon 24-70mm II, Samyang 35mm, ZE 50mm f1.4; Recording Format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); For post workflow, KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Edited in: Adobe Premiere Pro; Graded by: Jonathan Nicol (Adobe Speedgrade); Production […]
Cameraman: Liu Qingqing, Michel; Location: Las Vegas (United States) Camera: KineMINI 4K x2: one is KineMOUNT+PL mounting, the other is native EF mounting; Lens: Sigma 18-35mm f1.8; Leica 50mm, f1.4(GL Modified); Tokina 11-16mm f2.8(GL Modified) Day: ISO 320; Night: ISO 640, 800, 1280. Mode: Uncompressed CinemaDNG 4096×2160@24fps; KineRAW(.KRW) 2048×1080@96fps Graded by: Liu Qingqing, CinemaDNG by ACR, […]
