6K RAW In-Camera KineMAX is capable of Capturing and Recording 6K RAW without external recorder. KineMAX is honoured as one of three cinema camera models in this planet. 6K RAW is recorded as KineRAW(.krw) codec which is compressed lossless RAW format developed by Kinefinity. For 4K and lower resolution, it can record Uncompressed CinemaDNG; for 3K and lower resolution, it can record Cineform RAW which is easy to be edited and graded in mainstream DI software. 6K RAW capturing and recording leaves very large room for reframing, trimming, and CG, especially for 4K delivery. At same time, it also features capturing and recording 6K, 4K, 3K, 2K, 1080p in both S35 frame and crop mode: that means KineMAX can cover from 1080p to 6K, every mainstream resolution in one camera. KineMAX may be the most compact and powerful cinema camera for 6K&4K RAW capturing and recording now.

16 f-stops KineMAX employs state-of-art CMOS sensor: 14 f-stops with 12bits output at 6K resolution; amazing 16 f-stops at binning 3K (S35 framing) & binning 2K resolution (M4/3 framing) . KineMAX brings you not only maximum details, but also maximum latitude in every frame, at every case. At same time, KineMAX itself supports all kinds of crop modes with the same latitude of 6K: M4/3 framing 4K, S16 framing 3K.

KineRAW codec KineRAW (.krw) codec, cinema-level codec is developed by Kinefinity with great efforts and resources. Average compression level is 2:1~3:1, lossless compression algorithm: it remains whole information of original image, there is no color sampling and loss. The 240GB KineMAG SSD could record around 45 minutes 4K RAW clips with its date rate close to ProRes422HQ. It can be transcoded into Cineform mov for Cineform workflow and CinemaDNG for CinemaDNG workflow by KineStation ; It really fits 4K, 5K, 6K recording and HiSpeed recording, saves much more storage room, for easier data backup.

100fps SLOW-MO KineMAX has the power of capturing Slow-Mo up to 4K Wide 100fps . At HiSpeed S35, KineMAX supports 4K Wide Slow-Mo up to 100fps, while KineMAX supports 3K Wide to 150fps at HiSpeed M4/3 and 2K Wide to 225fps at HiSpeed S16. At same time, M4/3 (Crop mode) 4K Wide up to 56fps, S16 (Crop Mode) 3K Wide to 75, 2K Wide up to 110fps.  As of undercrank/quick-mo, the lowest fps is down to 6fps under current firmware. You can set any custom sensor fps between lowest and highest fps, the accuracy is 0.001fps.

4K 4:3 Anamorphic Native 4K 4:3 frame as 4320×3240@25fps: Aspect ratio of 4:3 matches anamorphic lens with factor of 2, so that it will gain CinemaScope frame as 8:3(2.66:1). With the process in post-workflow, it can reach up to 8640×3240 (8K) CinemaScope! It also support standard DCI 4K 4096×3076@25fps 4:3 resolution.

Super 35mm KineMAX is a Super35mm sized CMOS sensor camera with outstanding low light performance for UHD use as well as for making DCP for projection in modern digital movie theatres where signal to noise ratio under difficult lighting conditions is very important. In the case of shooting feature motion pictures and commercials with ample lighting, the camera can be used as a normal movie camera would be for the cinematographer take advantage of the camera’s wide exposure latitude and ISO range from to get textures from silky fine gain to gritty as needed.

KineStation  New KineMAX, Free KineStation. KineStation + KineCamera = Kine Hybrid System (KHS) . Kine Hybrid System (KHS) is designed to make frontend capturing and backend processing for high-efficiency post workflow. Kine Cameras as frontend capturing tool as RAW to remain Maximum details and latitude, and KineStation as backend bridge running on PC or MAC to post workflow. KineStation can transcoding KineRAW and CinemaDNG into Cineform RAW and Cineform RGB444 with debayer options for different controls from RAW into RGB domain to match your favourite workflow. The KineStation will integrate more codecs like ProRes codecs, DPX, H264, H265 and LUT options for quick output.  

Built-in Cineform RAW  The KineMAX can record the 2K/3K Cineform ™ RAW at real time, online. And KineStation can transcode 6K/4K KineRAW/CinemaDNG into 6K/4K Cineform RAW offline. Cineform RAW is as compressed raw using very high quality wavelet compression: visually lossless, and making work-flow more efficient. The famous films like Oscar winner Slumdog Millionaire were acquired by CineForm RAW compression for most images, and also the 127 hours. Cineform codec is cross-platform: run on both MAC and Windows smoothly and efficiently. Nearly all commercial editing tools and grading tools like Final Cut Pro, Premiere, Speedgrade, Resolve, Scratch etc. support Cineform very well.  

NEW LOCK-TYPE EF/F MOUNT KineMINI camera employs whole new lock-type/Cine-style EF/Nikon F mount from 2014 Jan. Its fixing way is very similar to Cine PL mount: lock ring rotation, not lens rotation to make sure EF/Nikon F lens locked firmly and to be contacted well with pogo-pin contact inside of EF mount in any case. Compared to traditional lock way based on spring metal, the new EF/Nikon F mount gains much better stability; fits very well in professional way when video shots using follow-focus gear.

KineMOUNT Interchangeable Mount KineMAX uses Short FFD KineMount (Sub PL mount) with mount adapters to support various lens mounts, including standard PL mount, Canon EF mount (Active, Iris-controlled) and Nikon F mount, even OCT-19, B4 mount. If you have a 35mm move camera now you can ask us about having custom adapters made in addition to our stock adapters, and protect your investment in great glass. For those on a budget, other lenses made for DSLR can give good HD or DCP results when used near their prime stop.

CinemaDNG   CinemaDNG ™is frame-based, just like Film. CinemaDNG™ offers maximum image quality and license free archive of your shots as “Digital Negative” that can be processed any way you like and be archived in an “open file format” that can be accessed and supported for all time to come, no matter what happens. CinemaDNG ™ is Adobe ™’s format for saving motion picture digital negatives the digital equivalent of motion picture color negative film (not necessarily the equal in all respects as that depends on the sensor used and how the recorded data is processed, just as the results of movie film depend on how it is processed).

Sport Mode   KineMAX features sport mode which reduces rolling effect greatly, seems like global shutter. KineMAX employs state-of-art CMOS sensor, which is rolling shutter type, then suffers some rolling effect. Sport Mode is designed to alleviate the rolling greatly, and make KineMAX handle quick movement shootings, like handheld, shots on shoulder, documentary style. The footages would be turned into Cineform RGB444 mov after KineStation transcoding. Sport Mode works on 4K/3K/2K/1080p.

3G SDI and HD Digital Display  KineMAX outputs monitoring signal as 1080p/720p through two SDI ports and one HD digital port, so that you can use compatible third-party EVF like Cineroid EVF/Alphatron EVF, small field monitor like SmallHD monitors and broadcast monitor with SDI input like Zunzheng Monitor. For focusing, the camera’s zoom function can be Full/100%/200%, and even 800% to make focusing job easier. The in-camera waveform monitor and zebra can monitor the RAW signal or “look” LUT so that it helps you better exposure and avoid over-exposure.

M4/3 and S16  KineMAX can provide Multiple framing options for different lens, because 6K S35 sensor provide sufficient resolution and framing choices. S35 framing uses standard PL mounting lens, and DSLR full-frame lens, APS-C lens to recording 6K and binning 3K. M4/3 framing uses M4/3 lens and even B4 lens for 4K or lower resolution. In this S16 mode, you can use S16 PL cine lens, even the broadcast B4 mount lens, to shoot in 3K RAW image, with less rolling effect, and overcrank to 75fps@3K wide. One for All！

LIGHT-WEIGHT AND COMPACT Only 2cm longer than KineMINI, while adding 3K Cineform RAW and 6K KineRAW recording, integrated battery plate and compatible with KineKIT for KineMINI. And there are two color options for camera body: Black and Titanium Grey.