Cameraman: Dominic Taylor; Director: Dominic Taylor; Location: New Zealand; Camera: KineMINI 4K with KineMOUNT + EF mounting adapter; Lens: Canon EFS 17-55mm; Recording format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); Setting: ISO,320; Aperture: f4.0; Post workflow: KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Adobe Premiere Pro + After Effects by Dominic Taylor […]
KineColor2 LUT restores Cineform LOG footages to Neural look, so that it can be used as starting point of grading, or quick workflow. This LUT is to be loaded in DI software, like Davinci Resolve, not used for in-camera usage.
Since the camera is a True RAW recording camera it has only its native ‘look’ which is dark because it comes from sensor directly. To become EI ISO adjusted and to make the colors bright and sharp the camera has many LUT loaded you can pick from, these include: KineLOG™ which simulates the Cineon™ Log […]
KineRAW camera employs whole new lock-type EF mount, new lock-type EF mounting adapter, new lock-type Nikon F mounting adapter from 2014 Jan. Its fixing way is very similar to Cine PL mount: lock ring rotation, not lens rotation to make sure EF lens locked firmly and to be contacted well with pogo-pin contact inside of […]
The RAW concept in digital cinema/Video category is nearly same with the RAW image file in digital camera/photogragh category: No White-balanced process, nor Color grading. RAW images files description in Wikipedia is following: Raw image files are sometimes called digital negatives, as they fulfill the same role as negatives in film photography: that is, the […]
Cameraman: Xiaohu Fang; Location: Changsha (China) Lens: GL Converted Lens (ZE); Codec: Cineform RAW 1080p; Graded by: Qingqing Liu
KineRAW functions more than just a data table, by updating firmware. Fireware 8040 provides much more functions than Firmware 8030 as listed below:
KineRAW-S35 Operation Manual V1.3 is released with Firmware of KineRAW-S35 8038. New sections are added as: Sensor framing option, Sport Mode, Quick-mo and Slow-mo, and more advanced settings on white-balance. Only in Chinese version so far.
Cameraman: Xiaohu Fang; Location: Changsha (China) Lens: GL Converted Lens (ZE); Codec: Cineform RAW 1080p; Graded by: Qingqing Liu
Cameraman: Yongpeng Shen, Jiaxing Yue; Location：Qinghai-Tibet(China) Camera: KineRAW-S35; Lens: CP2 and Nikon Camera Lens; Record Format: Cineform RAW mov and CinemaDNG Graded by: Qingqing Liu; Grading Software：Davinci Resolve
For the lens listed in the page, their Iris can be displayed and tuned by Kine cameras.
The famous films like Oscar winner Slumdog Millionaire were acquired by CineForm RAW compression for most images, and also the 127 hours. The KineRAW-S35 can record the Cineform ™ as compressed raw using very high quality wavelet compression: visually lossless, and making work-flow more efficient. And KineStation can transcode CinemaDNG footages from KineRAW-MINI into Cineform […]
CinemaDNG ™is frame-based, just like Film. CinemaDNG™ offers maximum image quality and license free archive of your shots as “Digital Negative” that can be processed any way you like and be archived in an “open file format” that can be accessed and supported for all time to come, no matter what happens.
Cameraman: Dan Hudgins; Location: San Francisco(US) Lens: LOMO lens; Record Format: CinemaDNG/Cineform; Graded by: Liu Qingqing, Zhao Wei, Huiyun, Shan Shiyang (Davinci Resolve)
This tutorial explains how to playback Cineform RAW clips, need what kind of codecs, and what is LUT recorded by KineRAW.
