Cameraman/DoP: BonBon；Director: ZERO; Art: Zhiling Zhou; Location: Shanghai (China); Camera: KineMINI 4K; Lens: Cooke S5i Prime Set; Artificial lights (mainly); Codec: 2K Cineform RAW mov; ISO: 800; Edited by: Zhaojun Chen (FCP 7); Graded by: Bachejian Weida Xu (Davinci Resolve)
Fill the form and submit the issue or problem of Kine camera, and we try to give you feedback in one working day (Chinese holiday may be different from your country). You need to provide following information to help us provide solution for you: SN of camera; Photos or video to reflect the issue/problem your […]
Director: Cheng Zhang; Cameraman: Yongqing Liu, Shuai Qin, Peng Cheng; Location: Shanghai China; Camera: Two KineMINI 4K; with KineMOUNT+EFMount; Lens: CP2 Prime Set; Codec: KineRAW(.krw) 2K Wide@120fps; Cineform RAW mov 2K Wide@25fps; HiSpeed: ISO 320; Normal fps: ISO 800; Edited by: Cheng Zhang, Yongqing Liu (FCP X); Graded by: Cheng Zhang; No De-noise nor Sharpen.
This update brings native 3K 4:3 anamorphic recording, 3K M4/3 recording, new notification way and new full screen display with core parameters.
This update is biggest change since KineStation was launched: Multi-process, Debayer option and log.
Cameraman: Orlando Bassi; Location: Bali Island Camera: KineMAX 6K Prototype, KineMOUNT+ PL mounting adapter and EF mounting adapter;
The Operation Manual is for KineMINI 4K with Firmware of KineOS 3.2. The manual covers the new features including KineRAW codec, 3K 4:3 Anamorphic lens support, 3D shooting, HiSpeed options and more.
KineColor2 LUT v0.9 FITs footages from KineMINI 4K with KineOS 3.1 or above. It restores Cineform LOG footages to Neural look
This firmware supports brand-new lossless compression codec as KineRAW, improved colour science; and add quick switch between different preset modes, like 4K and HiSpeed mode, add new resolution of 2K Scope for HiSpeed and S16mm.
This version supports new lossless compression codec as KineRAW (.krw).
This version added Cineform RGB444 codec, and compatible with New KineOS 3.0 (33) for KineMINI&KineMAX.
KineColor2 LUT restores Cineform LOG footages to Neural look, so that it can be used as starting point of grading, or quick workflow. This LUT is to be loaded in DI software, like Davinci Resolve, not used for in-camera usage.
KineMINI supports audio input (MIC-IN) to record the synchronous (mono, not stereo) audio, but it does not support the MIC of phantom power. MIC-IN port is located at front of the camera with jack of 3.5mm. It will generate two uncompressed audio files when recording with the external microphone inserted MIC-IN port. The audio track will be […]
This update is to optimise the name of clips/DNG/Cineform mov, optimise internal buffering, power saving functions, as listed below:
Cameraman: Liu Qingqing, Michel; Location: Las Vegas (United States) Camera: KineMINI 4K x2: one is KineMOUNT+PL mounting, the other is native EF mounting; Lens: Sigma 18-35mm f1.8; Leica 50mm, f1.4(GL Modified); Tokina 11-16mm f2.8(GL Modified) Day: ISO 320; Night: ISO 640, 800, 1280. Mode: Uncompressed CinemaDNG 4096×2160@24fps; KineRAW(.KRW) 2048×1080@96fps Graded by: Liu Qingqing, CinemaDNG by ACR, […]
