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19
Nov
Nov
Cameraman: Orlando Bassi; Location: Bali Island Camera: KineMAX 6K Prototype, KineMOUNT+ PL mounting adapter and EF mounting adapter;
16
Nov
Nov
The Operation Manual is for KineMINI 4K with Firmware of KineOS 3.2. The manual covers the new features including KineRAW codec, 3K 4:3 Anamorphic lens support, 3D shooting, HiSpeed options and more.
10
Sep
Sep
KineColor2 LUT v0.9 FITs footages from KineMINI 4K with KineOS 3.1 or above. It restores Cineform LOG footages to Neural look
10
Sep
Sep
This firmware supports brand-new lossless compression codec as KineRAW, improved colour science; and add quick switch between different preset modes, like 4K and HiSpeed mode, add new resolution of 2K Scope for HiSpeed and S16mm.
10
Sep
Sep
This version supports new lossless compression codec as KineRAW (.krw).
23
Jul
Jul
This version added Cineform RGB444 codec, and compatible with New KineOS 3.0 (33) for KineMINI&KineMAX.
21
Jul
Jul
KineColor2 LUT restores Cineform LOG footages to Neural look, so that it can be used as starting point of grading, or quick workflow. This LUT is to be loaded in DI software, like Davinci Resolve, not used for in-camera usage.
12
Jul
Jul
KineMINI supports audio input (MIC-IN) to record the synchronous (mono, not stereo) audio, but it does not support the MIC of phantom power. MIC-IN port is located at front of the camera with jack of 3.5mm. It will generate two uncompressed audio files when recording with the external microphone inserted MIC-IN port. The audio track will be […]
12
Jul
Jul
This update is to optimise the name of clips/DNG/Cineform mov, optimise internal buffering, power saving functions, as listed below:
26
Apr
Apr
Cameraman: Liu Qingqing, Michel; Location: Las Vegas (United States) Camera: KineMINI 4K x2: one is KineMOUNT+PL mounting, the other is native EF mounting; Lens: Sigma 18-35mm f1.8; Leica 50mm, f1.4(GL Modified); Tokina 11-16mm f2.8(GL Modified) Day: ISO 320; Night: ISO 640, 800, 1280. Mode: Uncompressed CinemaDNG 4096×2160@24fps; KineRAW(.KRW) 2048×1080@96fps Graded by: Liu Qingqing, CinemaDNG by ACR, […]
10
Feb
Feb
Since the camera is a True RAW recording camera it has only its native ‘look’ which is dark because it comes from sensor directly. To become EI ISO adjusted and to make the colors bright and sharp the camera has many LUT loaded you can pick from, these include: KineLOG™ which simulates the Cineon™ Log […]
31
Jan
Jan
KineRAW camera employs whole new lock-type EF mount, new lock-type EF mounting adapter, new lock-type Nikon F mounting adapter from 2014 Jan. Its fixing way is very similar to Cine PL mount: lock ring rotation, not lens rotation to make sure EF lens locked firmly and to be contacted well with pogo-pin contact inside of […]
20
Jan
Jan
KineRAW functions more than just a data table, by updating firmware. This version is to improve smoothness of monitoring and playback greatly, as listed below:
09
Jan
Jan
The RAW concept in digital cinema/Video category is nearly same with the RAW image file in digital camera/photogragh category: No White-balanced process, nor Color grading. RAW images files description in Wikipedia is following: Raw image files are sometimes called digital negatives, as they fulfill the same role as negatives in film photography: that is, the […]
04
Jan
Jan
Cameraman: Xiaohu Fang; Location: Changsha (China) Lens: GL Converted Lens (ZE); Codec: Cineform RAW 1080p; Graded by: Qingqing Liu